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Formas Navegatórias

Since 1999, multimedia artist Klinger Carvalho employs various materials and techniques to create his sculptures, which have been characterized by aesthetic experimentation. He’s the kind of artist who doesn’t resort to formulae in order to create.

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New Representations

Common to all, the mastery of a recognizable and authorial style, in addition to intensive research within each of their segments, be it the study on color, social activism or popular culture. Born in Brazil, in various cities in our country…

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Dangerous Beauty

“Beauty will save the world. The phrase by Russian writer Fiódor Dostoievski has never been so current, because it is precisely when so much is going wrong around us that we need to speak of the planet’s beauty, and the humanity that inhabits it.

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Montanha das nuvens brancas

Light and nature are what give form to her sculptures. Her desire is not to imitate nature but to look at things from both sides of the world. To mix the Brazilian thing that is in front of her with the Japanese thing which she brought with her in her baggage filled of memories…

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Possíveis Paisagens

It is a visible line that we observe and through which the sky appears to touch either the land or the sea. Always bringing our eyes towards the finitude of the space around us — although we know that life goes beyond this limit…

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Cerne

Camila Rocha’s first individual exhibition at the Kogan Amaro Gallery seeks to reach this deep core. By using her hands, a mysterious forest took form between the walls of the exposition area. Exotic botanical shapes…

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Arte Concreta no Brasil

Galerie Kogan Amaro is pleased to present the double exhibition The visit of Max Bill. It is an homage to the Swiss artist, designer and architect who exercised a profound influence on a younger generation of Brazilian artists in the 1950s.

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A visita de Max Bill

In her latest series of paintings Brazilian artist Fernanda Figueiredo explores Max Bill’s visit to Brazil in 1953 and the decisive influence he exercised on the art scene of the period. They are a witty homage to the Swiss polymath and to the Brazilian practitioners of Concrete Art.

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