He began his artistic path in the 1980s, as he was interested on the experimental productions of art movements such as Dada, Fluxus, Situationism, Concrete Poetry, Poema/Processo and the Gutai group, when he experimented with hybrid fields involving poetry, visual poetry and mail art until he got to painting, monotypes, sculptures and installations. Still on that decade, he started a long series of drawings, collages and paintings on envelopes and family letters (“Cartas de Areia”, 1984-2021), a long work-in-progress that was the base for a major part of his poetics, regarding the decline of sugar cane mills in Brazil.
